BARRACK ROAD

I’ve never been a fan of football; growing up on the Isle of Man, we have no real involvement in the UK national leagues, so for me, watching football was invariably just an excuse to go to the pub with my friends who all seemed to support either Liverpool or Man’ United.. With that said, it won’t come as a surprise to learn that I have never been to an actual football game or have any interest in it. These photographs aren’t about football, though; they’re about vendettas and loathing that go so far back in time that most people don’t even know, let alone remember, what they’re fighting about. The rivalry actually goes back 400 years, long before Ebenezer Morley fathered the modern game.

Newcastle v Sunderland Derby, Sunday 22nd March ’26 – My initial plan was to get the Metro into town early, grab a coffee, then wander over to St James’ to get some candid shots of fans pre-match. Even at 8.30 am, there were lengthy queues at the various pubs and bars on the outskirts of the stadium, most of which weren’t open until 10 am. By 10.30, I’d decided nothing much was going to happen, so I began heading back into the city centre. To the south of the stadium, where Strawberry Place meets Barrack Street, there’s a grass bank – Newcastle fans had started assembling on and around it. They were waiting for something. Or Someone. Hundreds of men, women, and children were waiting to ‘greet’ the visiting Sunderland fans.
It wasn’t until I was writing this that I discovered the name of the road from which the Sunderland fans were emerging – Gallowgate, quite literally the route on which prisoners travelled for execution at Barrack Road. Taking into account the bitter loathing the two sides have for each other, I assumed things might be about to get ‘ a bit spicy’…

15 responses to “BARRACK ROAD”

  1. Such magnificent, loud, and disturbing photos. It must take an incredible determination to keep hating something/someone just for the sake of tradition of hating them. And you are right, most of them have no idea what it is they loathe so passionately, it’s just an outlet for whatever it is bubbling under the surface. Like a strange medieval group-therapy of shouting and kicking. One can only hope it helps.

    Liked by 1 person

  2. This is top class photojournalism, Phil. How did you manage to get so close? It must have been terrifying?!

    Liked by 1 person

  3. Impresive and immersive images, great shots!

    Liked by 1 person

  4. Great shots again, Phil! What camera were these taken on?

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  5. Great shots again, Phil! What camera were these taken on?

    Liked by 1 person

    1. Thanks! I used a Leica Q2 Monochrom and a Sony A7CR with 24mm lens. These images a pretty much a 50/50 mix

      Liked by 1 person

  6. Absolutely superb photo-essay! How do you manage to get such unrestricted access in these situations? Are you not afraid you’ll get injured?

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    1. Anyone can literally just walk into it, as long as you’re where you need to be before the police start blocking and kettling. I do worry about getting a stray bottle or coin to the head, but fans are only interested in fighting each other tbh.

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  7. These give a real sense of being right in the middle of the action. Nice.

    Liked by 1 person

  8. Incredible images, they give a real sense of actually being there…I can almost smell that smoke! Do you mind sharing your technical process?

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    1. I keep it all very simple – two cameras & two lenses -Leica Q2 Monochrome with 28mm, and Sony A7CR with a 24mm. The Sony has a function set to switch to apsc mode, which crops the image to about 35mm. I don’t carry much else – two spare batteries for each camera, a power bank, a small flash, red and orange filters for the Leica, and that’s about it.
      In post I don’t do a huge amount to images – convert Sony to mono, levels, curves, the odd brush tool. That’s all.

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  9. These take me back to the work of photojournalism from the 80s and 90s, Sunday Times, Independent and Observer magazine vibes (this is a massive compliment, believe me).
    Your work is top tier, Phil, world class photojournalism. Your ability to get in close, to almost demand the viewer be part of the action, is quite something, a skill very few contemporary photographers possess these days.
    Do you run classes or workshops? I’d love to attend one if you do.

    Thanks for sharing your remarkable vision.

    Joe Moss

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  10. Sunderland fans in colour might have been a nice counterpoint?

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